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The Sonnets contain a unique record of Shakespeare's experiences,
which led him to become one of the world's greatest dramatist and
poet. The interesting thing is that Shakespeare was taught why to
write, how to write, when to write, and what to write about.
According to the information provided in the Sonnets, at the
beginning of his career, Shakespeare met his spiritual Guide. It
was his Guide who pointed out to Shakespeare that he was wasting
his time and talent on useless activities and meaningless writings.
Then his Guide led Shakespeare through a sequence of experiences
that allowed the poet to start to perceive the true value of his
talent and the way in which his talent could be of use to a greater
purpose. The Sonnets are a record of the interactions between the
poet and his Guide. In other words, there are two voices in the
Sonnets. First we hear the Guide who appeals to the poet's
conscience by pointing out how wasteful his life and his writing
are. Then we hear the poet's reaction to the Guide's appeal. What
follows are exchanges of arguments between the two men. Then we
witness how the poet's intuition and his perception gradually
develop and expand. Although both the poet and his Guide are
presented as young and handsome men, there is a distinct difference
between them. The Guide speaks with authority and understanding; he
is confident and his counsels follow a precise developmental
methodology. The poet, on the other hand, is unsteady, immature,
and moody; his reactions change quickly from highly enthusiastic to
deeply depressed. The Sonnets, like Shakespeare's plays, form a
coherent narrative. "How heavy do I journey on the way" elicits the
narrative, which describes the sequence of experiences that led the
poet to the development of his poetic inspiration.
How could the evolution of the human mind be described before
Darwin's hypothesis was suggested? How could the functionality of
mythological archetypes be illustrated before Jung's terminology
was introduced? And how could the developmental effects of
travelling into the past and the future be explained before
Einstein's theory of relativity was proposed? Shakespeare used the
symbolic language of his poetry to expose West European society to
these ideas. It was going to take some time before these ideas
would be digested, accepted, and implemented. The series
"Shakespeare for the Seeker" explains the symbolic meaning of the
plays. The plays' plots as well as their meanings may be fully
understood only if one realizes that all the plays are interlinked.
Together they form a narrative that describes the most recent
episodes of human evolution. It is a fascinating story that
illustrates how European civilization was designed, directed, and
implemented. The series "Shakespeare for the Seeker" consists of
four volumes. Volume 2 presents the analysis of "Pericles, Prince
of Tyre," "Troilus and Cressida," "Timon of Athens," "The Comedy of
Errors," and the French trilogy, i.e., "All's Well That Ends Well,"
"As You Like It," and "Love's Labour's Lost." It also includes an
introduction to Shakespeare's Sonnets. No prior reading of the
plays is needed to follow the presented analysis.
The inner design of Shakespeare plays is invisible to a merely
rational mind or a speculative intellect. This is why the analysis
presented here will be wholly unconvincing to those who claim logic
as the highest principle. It will appear to be no more than a proof
based on selected instances. It can be easily ridiculed,
particularly if taken out of context. Shakespeare illustrated this
kind of incomprehension as the reaction of the young lovers who
ridiculed the performance of "Pyramus and Thisby" in "A Midsummer
Night's Dream." Similarly, irritated Hamlet did not grasp the
message contained in "The Murder of Gonzago" and as the result fell
into his own mouse-trap. In other words, there is no rational or
intellectual means to provide a proof of the interpretation of the
plays. Neither is it possible to identify the inner structure of
the plays by applying scholarly methods based on aesthetic or
linguistic criteria. It is possible, however, to enhance the
"visibility" of the inner design of Shakespeare's plays by
constructing a "contrast" play. Such a play would employ some of
Shakespeare's characters and episodes. It would be based on an
ordinary, simplistic, and moralistic theme; its action would follow
a linear thinking pattern and psychological realism; it would
contain a number of Shakespeare's symbols, but used at random. In
other words, the play would be purposely sterilized by removing its
inner content. Such a play would have to be written, at least
partially, as beautifully as Shakespeare's plays. In this way the
sterile content would be packaged in an attractive but meaningless
container. Such a container would be decipherable by scholarly or
intellectual inquiry: it would be accepted as one of Shakespeare's
works. It turns out that such a sterilized play was purposely
constructed. Its title is "The Two Noble Kinsmen." Its purpose was
to demonstrate that the evolutionary progress achieved over the
time span of several spiritual millennia belongs to the subtle
areas of the human mind and is not detectable by ordinary
intellectual, artistic, or scientific methods. The series
"Shakespeare for the Seeker" consists of four volumes. Volume 4
presents the analysis of "Twelfth Night," "Measure for Measure,"
"Hamlet," "The Tempest," "The Merry Wives of Windsor," "A Midsummer
Night's Dream," and "The Two Noble Kinsmen." No prior reading of
the plays is needed to follow this analysis.
For the first time the symbolic meaning of Shakespeare's plays is
described. Each of Shakespeare's plays is part of a whole. All of
the plays are interlinked. Together they form a narrative that
describes the most recent episodes of human evolution. It is a
fascinating story that illustrates how European civilization was
designed, directed, and implemented. This process includes many
experiences, which sometimes may seem comical, sometimes may be
perceived as tragic. Nevertheless, all these experiences have to be
encountered and they are unavoidable; they are part of an
evolutionary process. Each of these experiences is a preparation
for other ones; in all cases they lead to a constructive outcome.
The series "Shakespeare for the Seeker" includes four volumes.
Volume 1 presents the analysis of the History plays, the Roman
tetralogy, and the Celtic trilogy.
Self-healing materials are an emerging class of smart materials
that are capable of repairing themselves from damage, either
spontaneously or under a stimulus such as light, heat, or the
application of a solvent. Intended for an audience of researchers
in academia and industry, this book addresses a wide range of
self-healing materials and processes, with emphasis on their
performance in the space environment. This revised, expanded and
updated second edition addresses the key concepts of self-healing
processes, from their occurrences in nature through to recent
advances in academic and industrial research. It includes a
detailed description and explanation of a wide range of materials
and applications such as polymeric, anticorrosion, smart paints,
and carbon nanotubes. Emphasis is given to performance in the space
environment, addressing vacuum, thermal gradients, mechanical
vibrations, and space radiation. Innovations in controlling
self-healing materials for space debris mitigation are also
covered. The book concludes with a comprehensive outlook into the
future developments and applications of self-healing materials.
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